British artist Damian Taylor Born 1984, (ENG) reimagines landscape photography through a fusion of traditional and digital techniques. His current works, created by scanning seascapes with a modified digital scanner housed within a bellows camera, challenge conventional notions of time and perception.
The photographic work in this exhibition is a continuation of a series first introduced in the recent exhibition and book “Old Light”, a body of work that delves into the concepts of deep time, the nature of human memory, and the evolving ways we perceive and interact with the ocean’s beauty and power.
While the “Old Light” images were presented on a grand scale, the recent images echo nineteenth-century photography methods like daguerreotypes or contact prints, each piece matches the exact dimensions of the image projected onto the plate during the initial capture.
Each image encapsulates extended periods, ranging from minutes to over half an hour, compressed into a single frame,capturing the subtle shifts in light and shadow that occur over time. The resulting images are chromaluxe sublimation prints on aluminum, the reflective surface of which interacts with ambient light, mirroring the ever-changing nature of the seascape itself.
Taylor was educated at the Slade School of Art and Chelsea College of Art, and is affiliated with the Ruskin School of Art.
DPhil, University of Oxford (Busy Working with Materials: transposing form, re-exposing Medardo Rosso)
MA Fine Art (Painting), Slade School of Fine Art, London
BA (Hons) Fine Art (Painting), Chelsea College of Art and Design, London
Old Light (with Roger Ackling), HIDDE VAN SEGGELEN, Hamburg
Finger, HIDDE VAN SEGGELEN, Hamburg
SILVER, Martha, London
Untitled (developed), Museum Beelden aan Zee, The Hague
Untitled (…nephews?), Hobbs Mclaughlin Gallery, London
The Solo Project, Basel
…just one more thing, Hidde van Seggelen, London
Paintings…, Hidde van Seggelen Gallery, London
… and other Things, Hidde van Seggelen Gallery, London
Translating Documents, De Nederlandsche Cacaofabriek, The Netherlands
Avocado, Hidde van Seggelen Gallery, London
Solo presentation at Art Amsterdam, The Netherlands, with Hidde van Seggelen Gallery
-form, Hidde van Seggelen Gallery, London
Expanding Landscapes: Painting After Land Art, Hestercombe Contemporary Art Gallery (curated by Rebecca Partridge and Joy Sleeman)
The Undersides of Practice, APT Gallery, London (curated by Cath Ferguson and Della Gooden)
Slow, thick fingers, Kingsgate Project Space, London (curated by Alaena Turner)
Drawing with Metal, Patrick Heide Contemporary Art, London
Finger, Hidde van Seggelen Gallery, London, UK
Damian Taylor and 20th Century Bronze Design, Ben Jannsens, London
Maquettes, Furnished Space, London
Preview, Hidde Van Seggelen Gallery, London
Old Light, HIDDE VAN SEGGELEN, ISBN 978-3-9819511-4-1
OTHER THINGS, with a text by Ed Atkins, HvS 2010, ISBN 978-0-9555763-6-2
Paintings, with essays by David Ryan and Bernice Donszelmann, HvS 2010, ISBN 978-0-9555763-5-5