Born in 1976, Kleve, Germany
Lives and works in Cologne, Germany
In his work, Lutz Driessen uses the fragmented human body to examine the tension between in and out, shaking up the body to see what happens when inside and outside meet, the way paint meets the surface of a canvas.
His paintings often feature recognizable body parts, forms that allow us a point of entry to the paintings, shapes we can identify as belonging to bodies so that we can more readily go beyond the surface elements. They provide us with an access point to the process of painting – a way into Driessen’s mode of working and the work itself, which is really about how to apply paint, how to create contour in a painting, how to combine colors on a canvas, and what happens when those colors come into contact with each other. Each painting represents a new process, a new attempt to tackle the problem of how to get ideas onto canvas, how to build up the painting and connect all the parts. Bodies are vessels that contain and confine our insides while simultaneously releasing everything we leave behind, from our waste to our offspring. In these paintings, corporeal forms function as vessels for paint and brushstrokes (Based on a text by Diana Perry-Schnelle, curator/writer).
Lutz Driessen studied in Düsseldorf with Albert Oehlen and in Arnhem and has exhibited in Germany and abroad, including in the group show PERSPEKTIVEN DER GEGENWART at Deutsche Bundesbank, Frankfurt am Main, Germany (2012). A recent exhibition at HIDDE VAN SEGGELEN was titled Somerleyton, accompanied by an essay by Diana Perry.
Kunstakademie Düsseldorf
HK-Arnhem
Dying, Galerie JUBG, Cologne
Living, Galerie Khoshbakht, Cologne
Somerleyton, HIDDE VAN SEGGELEN, Hamburg
Arbeiten auf Papier, Galerie Hammelehle und Ahrens, Cologne
Arbeiten auf Papier, Galerie Jahn, Munich
Hidde van Seggelen gallery, London
PERSPEKTIVEN DER GEGENWART, Deutsche Bundesbank, Frankfurt am Main, Germany
Frau, Willem Baars Projects, Amsterdam
Jesses, Galerie Jahn Baaderstrasse, Munich, Germany
Skulptur, Galerie Jahn Baaderstrasse, Munich, Germany
Dok25a, Düsseldorf, Germany
wrong pipe, Galerie Hammelehle und Ahrens, Cologne, Germany
l ´Arg”, FYW, Cologne, Germany
Frucht, Acapulco, Düsseldorf, Germany
Bar Ornella, Cologne, Germany
U2, Galerie Klinkhammer und Metzner, Düsseldorf, Germany
Geheimnis der Dinge. Malstücke (curated by Hartmut Neumann), Kunsthalle Recklinghausen
The Unstrung Harp, Parrotta Contemporary Art, Cologne and Bonn
Geheimnis der Dinge. Malstücke (curated by Hartmut Neumann), Beck & Eggeling International Fine Art, Duesseldorf
followup: Stipediaten Ausstellung Schloss Ringenberg, Hamminkeln
O.N.P.A.P.E.R., Galerie Fred Jahn, Munich
Nie Pastille and Lutz Driessen, Sightfenster, Cologne
Bienvenue. Galerie Jahn, Munich
Haschisch lesen, (with Matthias Lehrberger), Parkhaus im Malkastenpark, Düsseldorf
Frau, Willem Baars Projects, Amsterdam, Holland
SEX (with Simon Hemmer und Seb Koberstädt), Aschenbach & Hofland Galleries, Amsterdam, NL
Motif Motif (with Willem Weismann), FOLD, London, GB
Pfff…, Galerie Jahn Baaderstrasse, Munich, Germany
FYW 573 (WTF), Montgomery, Berlin, Germany
Nova Swing, Anna Klinkhammer, (mit Morgan Betz), Düsseldorf, Germany
Bar International, Mittwochsbar, Vienna, A
Contented Heart, W139, Amsterdam, NL
Institut für zeitgenössische Beobachtungen, Vienna, A
Regarding Düsseldorf2, 701 e.V. Düsseldorf, Germany
Normal Desires, rm 103, Auckland, NZ
Teller und Unterschiebung, Acapulco, Düsseldorf , Germany
Denkt Allen, 85 Gallery, Antwerpen, Belgium
Terrain Vague, Bonner Kunstverein, Germany
unitdéd, de Player, Rotterdam, NL